The birth of Venus out of Orion (I) - Versionsgeschichte

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@@ Zeile 62: / Zeile 62: @@
 :B) [http://traumfaenger-verlag.de/ Traumfänger Verlag]: [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Karl Schlesier] (image processing by ''Atlantisforschung.de'')
-:C) [https://commons.wikimedia.org/wiki/Main_Page Wikimedia Commons]: [https://commons.wikimedia.org/wiki/File:Venuspioneeruv.jpg File:Venuspioneeruv.jpg] and [https://commons.wikimedia.org/wiki/File:Arte_romana,_mosaico_con_eros,_03_venere.JPG File:Arte romana, mosaico con eros, 03 venere.JPG] (image processing by ''Atlantisforschung.de'')
+:C) [https://commons.wikimedia.org/wiki/Main_Page Wikimedia Commons]: [https://commons.wikimedia.org/wiki/File:Venuspioneeruv.jpg File:Venuspioneeruv.jpg] and [https://commons.wikimedia.org/wiki/File:Arte_romana,_mosaico_con_eros,_03_venere.JPG File:Arte romana, mosaico con eros, 03 venere.JPG] by [https://commons.wikimedia.org/wiki/User:Sailko Sailko] (image processing by ''Atlantisforschung.de'')
 :D) [https://commons.wikimedia.org/wiki/Main_Page Wikimedia Commons]: [https://commons.wikimedia.org/wiki/File:MedicineWheel.jpg File:MedicineWheel.jpg]  (image processing by ''Atlantisforschung.de'')

@@ Zeile 53: / Zeile 53: @@
 (This article was first published in: ''Proceedings of the Immanuel Velikovsky CENNTENNIAL CELEBRATION 1895-1995'', p. 35-88, IVY PRESS BOOKS, Forest Hills, New York, 1995 - reedited in a revised online-version by ''Atlantisforschung.de'' in July 2014)
-'''Footnotr:'''
+'''Footnote:'''
 <references />
 === Illustration ===

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	* [[The birth of Venus out of Orion (II)]]		* [[The birth of Venus out of Orion (II)]]
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		+	* [[The birth of Venus out of Orion (III)]]
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		+	* [[The birth of Venus out of Orion (IV)]]
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		+	* [[The birth of Venus out of Orion (V)]]
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		+	* [[The birth of Venus out of Orion (VI)]]
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		+	* [[The birth of Venus out of Orion (VII)]]

	* [[The birth of Venus out of Orion - Literature]]		* [[The birth of Venus out of Orion - Literature]]

@@ Zeile 49: / Zeile 49: @@
 === Illustration ===
-:A) [http://www.velikovsky.info/Main_Page The Velikovsky Encyclopedia]: [http://www.velikovsky.info/File:Immanuel-velikovsky-1968-hagadorn.jpg File:Immanuel-velikovsky-1968-hagadorn.jpg]  (image processing by ''Atlantidforschung.de'')
+:A) [http://www.velikovsky.info/Main_Page The Velikovsky Encyclopedia]: [http://www.velikovsky.info/File:Immanuel-velikovsky-1968-hagadorn.jpg File:Immanuel-velikovsky-1968-hagadorn.jpg]  (image processing by ''Atlantisforschung.de'')
-:B) [http://traumfaenger-verlag.de/ Traumfänger Verlag]: [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Karl Schlesier] (image processing by ''Atlantidforschung.de'')
+:B) [http://traumfaenger-verlag.de/ Traumfänger Verlag]: [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Karl Schlesier] (image processing by ''Atlantisforschung.de'')
-:C) [https://commons.wikimedia.org/wiki/Main_Page Wikimedia Commons]: [https://commons.wikimedia.org/wiki/File:Venuspioneeruv.jpg File:Venuspioneeruv.jpg] and [https://commons.wikimedia.org/wiki/File:Arte_romana,_mosaico_con_eros,_03_venere.JPG File:Arte romana, mosaico con eros, 03 venere.JPG] (image processing by ''Atlantidforschung.de'')
+:C) [https://commons.wikimedia.org/wiki/Main_Page Wikimedia Commons]: [https://commons.wikimedia.org/wiki/File:Venuspioneeruv.jpg File:Venuspioneeruv.jpg] and [https://commons.wikimedia.org/wiki/File:Arte_romana,_mosaico_con_eros,_03_venere.JPG File:Arte romana, mosaico con eros, 03 venere.JPG] (image processing by ''Atlantisforschung.de'')
-:D) [https://commons.wikimedia.org/wiki/Main_Page Wikimedia Commons]: [https://commons.wikimedia.org/wiki/File:MedicineWheel.jpg File:MedicineWheel.jpg]  (image processing by ''Atlantidforschung.de'')
+:D) [https://commons.wikimedia.org/wiki/Main_Page Wikimedia Commons]: [https://commons.wikimedia.org/wiki/File:MedicineWheel.jpg File:MedicineWheel.jpg]  (image processing by ''Atlantisforschung.de'')

@@ Zeile 2: / Zeile 2: @@
-'''Geschichte ist nicht das was geschehen ist, sondem das woran man sich erinnert.'''
+'''Geschichte ist nicht das was geschehen ist, sondern das woran man sich erinnert.''' <ref>Translation: History is not what has happened, but what is remembered.</ref>
 [[Bild:Immanuel-velikovsky-1968-hagadorn.jpg|thumb|'''Fig. A''' Veritable pioneer of modern catastrophism: Immanuel Velikovsky (1968) Photo: © ''Randall Hagadorn'']]
@@ Zeile 8: / Zeile 8: @@
 In the summer of 1978, as a student of [https://en.wikipedia.org/wiki/Cultural_anthropology cultural anthropology], I had joined the action anthropology project of [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Prof. Karl Schlesier] '''(Fig. B)''' and [http://books.google.de/books?id=y8pPB3sCmMEC&printsec=frontcover&hl=de&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Arrow Keeper Edward Red Hat], the highest spiritual leader of the [http://digital.library.okstate.edu/encyclopedia/entries/c/ch030.html Southern Cheyenne], in [[Riesenfunde - in Oklahoma|Oklahoma]]. The Arrow Keeper is holding the position for Motseyoef here on earth, until Motseyoef returns, the cultural hero, who taught them everything, how to live and how to organize themselves. Motseyoef, who gave them four [http://nativeamericannetroots.net/diary/886 Sacred Arrows] and taught them how to perform the Arrow ceremony, which they still hold in [[Riesenfunde - in Oklahoma|Oklahoma]] annually.
-One evening [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Karl Schlesier] reveiled some unpublished information to us: when Motseyoef lefl the Tsistsistas, he transformed into the Morning Star '''Venus''' '''(Fig. C)'''. And Tsistsistas culture as we know it today, is much older than in general assumed by [https://en.wikipedia.org/wiki/Cultural_anthropology cultural anthropology]. I was quite startled by these facts. But why was this small and beautiful planet of such importance to the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne], as well as to [https://en.wikipedia.org/wiki/Mesoamerica Mesoamerican] cultures? My Professor had no explanation for it, and on the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne] side this topic was part of their secret ceremonial knowledge. A few weeks later I had the opportunity to listen to a lecture of [https://en.wikipedia.org/wiki/John_A._Eddy Dr. John Eddy] introducing his research on [https://de.wikipedia.org/wiki/Medicine_Wheel Medicine Wheels] '''(Fig. D)''', astronomically related structures found throughout the Plains. I was surprized. In this situation a friend handed me a book: [http://books.google.de/books?id=FJst27kSVBgC&printsec=frontcover&dq=Worlds+in+Collision&hl=de&sa=X&ei=kW3GU4SBJ--S7AbVioCoCQ&ved=0CCIQ6AEwAA#v=onepage&q=Worlds%20in%20Collision&f=false Worlds in Collision] by [["Pseudowissenschaftler“ Velikovsky?|Immanuel Velikovsky]] '''(Fig. A)'''. I was in deep amazement.
+One evening [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Karl Schlesier] reveiled some unpublished information to us: when Motseyoef left the Tsistsistas, he transformed into the Morning Star '''Venus''' '''(Fig. C)'''. And Tsistsistas culture as we know it today, is much older than in general assumed by [https://en.wikipedia.org/wiki/Cultural_anthropology cultural anthropology]. I was quite startled by these facts. But why was this small and beautiful planet of such importance to the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne], as well as to [https://en.wikipedia.org/wiki/Mesoamerica Mesoamerican] cultures? My Professor had no explanation for it, and on the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne] side this topic was part of their secret ceremonial knowledge. A few weeks later I had the opportunity to listen to a lecture of [https://en.wikipedia.org/wiki/John_A._Eddy Dr. John Eddy] introducing his research on [https://de.wikipedia.org/wiki/Medicine_Wheel Medicine Wheels] '''(Fig. D)''', astronomically related structures found throughout the Plains. I was surprized. In this situation a friend handed me a book: [http://books.google.de/books?id=FJst27kSVBgC&printsec=frontcover&dq=Worlds+in+Collision&hl=de&sa=X&ei=kW3GU4SBJ--S7AbVioCoCQ&ved=0CCIQ6AEwAA#v=onepage&q=Worlds%20in%20Collision&f=false Worlds in Collision] by [["Pseudowissenschaftler“ Velikovsky?|Immanuel Velikovsky]] '''(Fig. A)'''. I was in deep amazement.
 Back in Germany I started studying fine arts and followed up on the developments in different fields of science, especially in [[Astronomie - eine uralte Wissenschaft!|astronomy]]. The more I was reading the more I realized that there was no evidence against [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] coming up, on the contrary there was a tendency towards a more catastrophic or cosmological outlook. After several years I started thinking about how I could evaluate [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] hypothesis through my own research. If [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] was right and mythology and religion were indeed coded memories of these proposed cosmic catastrophies, than this should be visible in signs and symbols as well, which our ancestors scratched or painted in and on stone and which are so poorly understood by science today. If one regards them as the essence of mythology, then it could be possible to get more precise information out of these pictures, than from mythology itself, which over the [https://en.wikipedia.org/wiki/Millennium millennia] lost itself in details and different kinds of added inventions or interpretations. During my previous studies of ancient rock art I had always felt that most of the offered scientific interpretations seemed to be kind of "off" the real meaning, somehow helpless guesses. When I started looking at the worldwide pictography with [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] scenario as a guideline, it was quite an ingenious moment to realize how many of these pictures suddenly started talking.
@@ Zeile 18: / Zeile 18: @@
 In a Greek version about the beginning it is said: "''..., that Saturn cut off the private parts of his father Caelos ([https://en.wikipedia.org/wiki/Ouranos Ouranos]), threw them into the sea, and out of them Venus was born who, after the foam (aphros) from which she was formed, accepted the name Aphrodite. From this they conclude that, when there was chaos, no time existed, insofar as time is a fixed measure derived from the revolution of the sky. Time begins there; and of this is believed to have been born Kronos who is [https://en.wikipedia.org/wiki/Chronos Chronos]...''" ([[The birth of Venus out of Orion - Literature|Santillana, von Dechend 1969: 134]]).
-Indeed, in the beginning the comet '''Venus''' caused chaos and no time existed. The revolution of the sky was disturbed. After '''Venus''' turned into the Morning Star, the sky was in order and cultural time began. The Gods of Time, '''Kronos''' / [https://en.wikipedia.org/wiki/Chronos Chronos] and [https://en.wikipedia.org/wiki/Saturn_%28mythology%29 Saturnus] might just represent the new concept of time. [https://en.wikipedia.org/wiki/Aphrodite Aphrodite] was formed of foam, born of water, which connects her to water and floods, like all the other '''Venus'''-deities. "''The sacred quality of water, as an element of creation, was common to all of ancient America''" ([[The birth of Venus out of Orion - Literature|Nelson 1977: 9]]). But Venus was also connected to fire and flames ([[The birth of Venus out of Orion - Literature|Velikovsky 1950/1978: 146-148,152]]).
+Indeed, in the beginning the comet '''Venus''' caused chaos and no time existed. The revolution of the sky was disturbed. After '''Venus''' turned into the Morning Star, the sky was in order and cultural time began. The Gods of Time, '''Kronos''' / [https://en.wikipedia.org/wiki/Chronos Chronos] and [https://en.wikipedia.org/wiki/Saturn_%28mythology%29 Saturnus] might just represent the new concept of time. [https://en.wikipedia.org/wiki/Aphrodite Aphrodite] was formed of foam, born of water, which connects her to water and floods, like all the other '''Venus'''-deities. "''The sacred quality of water, as an element of creation, was common to all of ancient America''" ([[The birth of Venus out of Orion - Literature|Nelson 1977: 9]]). But '''Venus''' was also connected to fire and flames ([[The birth of Venus out of Orion - Literature|Velikovsky 1950/1978: 146-148,152]]).
 [[Bild:Venus - celestial body & mythical figure.jpg|thumb|'''Fig. C''' Venus as a celestial body and mythical figure]]
@@ Zeile 42: / Zeile 42: @@
 (This article was first published in: ''Proceedings of the Immanuel Velikovsky CENNTENNIAL CELEBRATION 1895-1995'', p. 35-88, IVY PRESS BOOKS, Forest Hills, New York, 1995 - reedited in a revised online-version by ''Atlantisforschung.de'' in July 2014)

@@ Zeile 6: / Zeile 6: @@
 [[Bild:Immanuel-velikovsky-1968-hagadorn.jpg|thumb|'''Fig. A''' Veritable pioneer of modern catastrophism: Immanuel Velikovsky (1968) Photo: © ''Randall Hagadorn'']]
-In the summer of 1978, as a student of cultural anthropology, I had joined the action anthropology project of [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Prof. Karl Schlesier] '''(Fig. B)''' and [http://books.google.de/books?id=y8pPB3sCmMEC&printsec=frontcover&hl=de&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Arrow Keeper Edward Red Hat], the highest spiritual leader of the [http://digital.library.okstate.edu/encyclopedia/entries/c/ch030.html Southern Cheyenne], in [[Riesenfunde - in Oklahoma|Oklahoma]]. The Arrow Keeper is holding the position for Motseyoef here on earth, until Motseyoef returns, the cultural hero, who taught them everything, how to live and how to organize themselves. Motseyoef, who gave them four sacred Arrows and taught them how to perform the Arrow ceremony, which they still hold in [[Riesenfunde - in Oklahoma|Oklahoma]] annually.
+In the summer of 1978, as a student of [https://en.wikipedia.org/wiki/Cultural_anthropology cultural anthropology], I had joined the action anthropology project of [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Prof. Karl Schlesier] '''(Fig. B)''' and [http://books.google.de/books?id=y8pPB3sCmMEC&printsec=frontcover&hl=de&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false Arrow Keeper Edward Red Hat], the highest spiritual leader of the [http://digital.library.okstate.edu/encyclopedia/entries/c/ch030.html Southern Cheyenne], in [[Riesenfunde - in Oklahoma|Oklahoma]]. The Arrow Keeper is holding the position for Motseyoef here on earth, until Motseyoef returns, the cultural hero, who taught them everything, how to live and how to organize themselves. Motseyoef, who gave them four [http://nativeamericannetroots.net/diary/886 Sacred Arrows] and taught them how to perform the Arrow ceremony, which they still hold in [[Riesenfunde - in Oklahoma|Oklahoma]] annually.
-One evening [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Karl Schlesier] reveiled some unpublished information to us: when Motseyoef lefl the Tsistsistas, he transformed into the Morning Star '''Venus''' '''(Fig. C)'''. And Tsistsistas culture as we know it today, is much older than in general assumed by cultural anthropology. I was quite startled by these facts. But why was this small and beautiful planet of such importance to the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne], as well as to Mesoamerican cultures? My Professor had no explanation for it, and on the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne] side this topic was part of their secret ceremonial knowledge. A few weeks later I had the opportunity to listen to a lecture of [https://en.wikipedia.org/wiki/John_A._Eddy Dr. John Eddy] introducing his research on [https://de.wikipedia.org/wiki/Medicine_Wheel Medicine Wheels] '''(Fig. D)''', astronomically related structures found throughout the Plains. I was surprized. In this situation a friend handed me a book: [http://books.google.de/books?id=FJst27kSVBgC&printsec=frontcover&dq=Worlds+in+Collision&hl=de&sa=X&ei=kW3GU4SBJ--S7AbVioCoCQ&ved=0CCIQ6AEwAA#v=onepage&q=Worlds%20in%20Collision&f=false Worlds in Collision] by [["Pseudowissenschaftler“ Velikovsky?|Immanuel Velikovsky]] '''(Fig. A)'''. I was in deep amazement.
+One evening [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Karl Schlesier] reveiled some unpublished information to us: when Motseyoef lefl the Tsistsistas, he transformed into the Morning Star '''Venus''' '''(Fig. C)'''. And Tsistsistas culture as we know it today, is much older than in general assumed by [https://en.wikipedia.org/wiki/Cultural_anthropology cultural anthropology]. I was quite startled by these facts. But why was this small and beautiful planet of such importance to the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne], as well as to [https://en.wikipedia.org/wiki/Mesoamerica Mesoamerican] cultures? My Professor had no explanation for it, and on the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne] side this topic was part of their secret ceremonial knowledge. A few weeks later I had the opportunity to listen to a lecture of [https://en.wikipedia.org/wiki/John_A._Eddy Dr. John Eddy] introducing his research on [https://de.wikipedia.org/wiki/Medicine_Wheel Medicine Wheels] '''(Fig. D)''', astronomically related structures found throughout the Plains. I was surprized. In this situation a friend handed me a book: [http://books.google.de/books?id=FJst27kSVBgC&printsec=frontcover&dq=Worlds+in+Collision&hl=de&sa=X&ei=kW3GU4SBJ--S7AbVioCoCQ&ved=0CCIQ6AEwAA#v=onepage&q=Worlds%20in%20Collision&f=false Worlds in Collision] by [["Pseudowissenschaftler“ Velikovsky?|Immanuel Velikovsky]] '''(Fig. A)'''. I was in deep amazement.
-Back in Germany I started studying fine arts and followed up on the developments in different fields of science, especially in astronomy. The more I was reading the more I realized that there was no evidence against [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] coming up, on the contrary there was a tendency towards a more catastrophic or cosmological outlook. After several years I started thinking about how I could evaluate [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] hypothesis through my own research. If [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] was right and mythology and religion were indeed coded memories of these proposed cosmic catastrophies, than this should be visible in signs and symbols as well, which our ancestors scratched or painted in and on stone and which are so poorly understood by science today. If one regards them as the essence of mythology, then it could be possible to get more precise information out of these pictures, than from mythology itself, which over the [https://en.wikipedia.org/wiki/Millennium millennia] lost itself in details and different kinds of added inventions or interpretations. During my previous studies of ancient rock art I had always felt that most of the offered scientific interpretations seemed to be kind of "off" the real meaning, somehow helpless guesses. When I started looking at the worldwide pictography with [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] scenario as a guideline, it was quite an ingenious moment to realize how many of these pictures suddenly started talking.
+Back in Germany I started studying fine arts and followed up on the developments in different fields of science, especially in [[Astronomie - eine uralte Wissenschaft!|astronomy]]. The more I was reading the more I realized that there was no evidence against [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] coming up, on the contrary there was a tendency towards a more catastrophic or cosmological outlook. After several years I started thinking about how I could evaluate [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] hypothesis through my own research. If [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] was right and mythology and religion were indeed coded memories of these proposed cosmic catastrophies, than this should be visible in signs and symbols as well, which our ancestors scratched or painted in and on stone and which are so poorly understood by science today. If one regards them as the essence of mythology, then it could be possible to get more precise information out of these pictures, than from mythology itself, which over the [https://en.wikipedia.org/wiki/Millennium millennia] lost itself in details and different kinds of added inventions or interpretations. During my previous studies of ancient rock art I had always felt that most of the offered scientific interpretations seemed to be kind of "off" the real meaning, somehow helpless guesses. When I started looking at the worldwide pictography with [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] scenario as a guideline, it was quite an ingenious moment to realize how many of these pictures suddenly started talking.
 [[Bild:Karl Schlesier.jpg|thumb|'''Fig. B''' Karl Schlesier (Photo: [http://traumfaenger-verlag.de/ Traumfänger Verlag])]]

← Nächstältere Version		Version vom 18. Juli 2014, 16:08 Uhr
Zeile 40:		Zeile 40:

	* [[The birth of Venus out of Orion - Literature]]		* [[The birth of Venus out of Orion - Literature]]
		+
		+	(This article was first published in: ''Proceedings of the Immanuel Velikovsky CENNTENNIAL CELEBRATION 1895-1995'', p. 35-88, IVY PRESS BOOKS, Forest Hills, New York, 1995 - reedited in a revised online-version by ''Atlantisforschung.de'' in July 2014)

@@ Zeile 10: / Zeile 10: @@
 One evening [http://www.traumfaenger-verlag.de/index.php/professor-karl-schlesier.html Karl Schlesier] reveiled some unpublished information to us: when Motseyoef lefl the Tsistsistas, he transformed into the Morning Star Venus '''(Fig. C)'''. And Tsistsistas culture as we know it today, is much older than in general assumed by cultural anthropology. I was quite startled by these facts. But why was this small and beautiful planet of such importance to the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne], as well as to Mesoamerican cultures? My Professor had no explanation for it, and on the [https://en.wikipedia.org/wiki/Cheyenne Cheyenne] side this topic was part of their secret ceremonial knowledge. A few weeks later I had the opportunity to listen to a lecture of [https://en.wikipedia.org/wiki/John_A._Eddy Dr. John Eddy] introducing his research on [https://de.wikipedia.org/wiki/Medicine_Wheel Medicine Wheels] '''(Fig. D)''', astronomically related structures found throughout the Plains. I was surprized. In this situation a friend handed me a book: [http://books.google.de/books?id=FJst27kSVBgC&printsec=frontcover&dq=Worlds+in+Collision&hl=de&sa=X&ei=kW3GU4SBJ--S7AbVioCoCQ&ved=0CCIQ6AEwAA#v=onepage&q=Worlds%20in%20Collision&f=false Worlds in Collision] by [["Pseudowissenschaftler“ Velikovsky?|Immanuel Velikovsky]] '''(Fig. A)'''. I was in deep amazement.
-Back in Germany I started studying fine arts and followed up on the developments in different fields of science, especially in astronomy. The more I was reading the more I realized that there was no evidence against [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] coming up, on the contrary there was a tendency towards a more catastrophic or cosmological outlook. After several years I started thinking about how I could evaluate [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] hypothesis through my own research. If [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] was right and mythology and religion were indeed coded memories of these proposed cosmic catastrophies, than this should be visible in signs and symbols as well, which our ancestors scratched or painted in and on stone and which are so poorly understood by science today. If one regards them as the essence of mythology, then it could be possible to get more precise information out of these pictures, than from mythology itself, which over the millenia lost itself in details and different kinds of added inventions or interpretations. During my previous studies of ancient rock art I had always felt that most of the offered scientific interpretations seemed to be kind of "off" the real meaning, somehow helpless guesses. When I started looking at the worldwide pictography with [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] scenario as a guideline, it was quite an ingenious moment to realize how many of these pictures suddenly started talking.
+Back in Germany I started studying fine arts and followed up on the developments in different fields of science, especially in astronomy. The more I was reading the more I realized that there was no evidence against [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] coming up, on the contrary there was a tendency towards a more catastrophic or cosmological outlook. After several years I started thinking about how I could evaluate [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] hypothesis through my own research. If [["Pseudowissenschaftler“ Velikovsky?|Velikovsky]] was right and mythology and religion were indeed coded memories of these proposed cosmic catastrophies, than this should be visible in signs and symbols as well, which our ancestors scratched or painted in and on stone and which are so poorly understood by science today. If one regards them as the essence of mythology, then it could be possible to get more precise information out of these pictures, than from mythology itself, which over the [https://en.wikipedia.org/wiki/Millennium millennia] lost itself in details and different kinds of added inventions or interpretations. During my previous studies of ancient rock art I had always felt that most of the offered scientific interpretations seemed to be kind of "off" the real meaning, somehow helpless guesses. When I started looking at the worldwide pictography with [["Pseudowissenschaftler“ Velikovsky?|Velikovsky's]] scenario as a guideline, it was quite an ingenious moment to realize how many of these pictures suddenly started talking.
 [[Bild:Karl Schlesier.jpg|thumb|'''Fig. B''' Karl Schlesier (Photo: [http://traumfaenger-verlag.de/ Traumfänger Verlag])]]